Prints work by Karen Walker

Fashion designer Karen Walker's latest move is into homeware, specifically a collaboration with the Australian department store Myer to produce a new range of homeware using popular prints. Here's our Q+A with Karen from our current issue, along with some extra images from her homeware range. A word of warning before you get too purchase-ready - while the towels are available in Karen Walker stores, the rest of the range is available only in Myer's Australian stores (and they don't sell online at the moment). 

Karen Walker

HOME You've already developed Karen Walker paint, jewellery and eyewear. Why homeware?

KAREN WALKER We've been interested in developing homeware for some time, and the opportunity came along to create a line in partnership with the right people [Australian department store Myer] at the right time. We've been working with Myer for years, and they approached us to bring our look into homeware.

The images on these mugs also feature in Karen Walker's jewellery collection

How did you choose which prints to use? 

After showing internationally for 20 seasons, we've built up quite an extensive archive of prints, which is where we looked first when creating graphics for bed linen, towels and so on. We made a selection of prints for each category and played around with color and sizing, then sampled what we liked and narrowed it down from there. There are many prints in our archive that we're constantly reworking and reissuing in different ways, whether it be fabric print, fine jewellery or eyewear. Much within our archive has become iconic for us and is reinvented again and again. Homeware gave us another area in which to explore this. We'll be creating new homeware ranges every six months, and they'll always have print and colour as their starting point.

 This range of beach towels will be available in Karen Walker's New Zealand boutiques from spring

When will New Zealand shoppers be able to get their hands on the goods?

The beach towels will be in Karen Walker stores here in spring. The rest of the range can be purchased at Myer's Australian stores from August.

The homeware range also includes these bed linens

Meet the Designers at Corporate Culture

Auckland design fans, take note: Our friends at Corporate Culture are inviting HOME readers to a very special 'Meet the Designers' event next Wednesday 18 July from 6-8pm at the Corporate Culture showroom (73 The Strand, Parnell).

You'll ...hear designers Nathan Goldsworthy, Emma Hayes, Tim Webber and Christopher Johnson speak about their latest work. Emma and Tim were finalists in this year's HOME Design Awards, and Nathan has been a finalist on a number of occasions before. Entry to the talks is free.

Entry to the talks if free. If you're keen to attend, please RSVP to Christine Lawton, christine@corporateculture.co.nz. It's going to be an enjoyable and informative evening!

Above: The 'Adjutant' table by Nathan Goldsworthy, from our Design Awards 2011. Photograph by Toaki Okano, styling by Jessica Allen and Tanya Wong.

Designer Emma Hayes' 'River Print' fabric series (above) was a finalist in our 2012 Design Awards, as was Tim Webber's series of 'Y' stools (below). Both photographs by Toaki Okano, with styling by Juliette Wanty and Alicia Menzies. 

Design Awards 2012 - the finalists

We're delighted to reveal the finalists in our 8th annual furniture and homeware Design Awards. The winner has been selected by our very glamorous judge, Christian Rasmussen of Denmark's Fritz Hansen (who was in New Zealand recently), and will be revealed in our June/July issue, which is on newsstands from Monday June 4. All the photographs are by Toaki Okano, styled by Alicia Menzies and Juliette Wanty. 

Here are the finalists, in no particular order. First, London-based New Zealand designer Jason Whiteley's 'Studio' chairs for Resident, made from blockboard wood sheets (created from the waste of other industrial timber processes).

Next, David Moreland's 'Pendant 45' light, made of spun aluminium and spun copper. 

Emma Hayes designed the 'River' print and fashioned it into silk throws, cushions and pillowcases for her firm MM Collections. 

London-based Phil Cuttance's 'Faceture' vases are made from water-based resin in a polypropylene mould, using a machine Phil made himself. Also in this shot is Design Awards 2012 finalist Holly Beals' 'Gallons' table. 

Nathaniel Cheshire's 'Oud' lamp for Resident is a homage to JJP Oud's 1928 Piano lamp, as well as incorporating references to Mies van der Rohe's Barcelona Pavilion and OMA's CCTV Tower. 

Two-time Design Awards winner Jamie McLellan's 'Spar' floor lamp for Resident was designed as a contemporary alternative to Achille Castiglioni's 'Arco' light in the way it cantilevers illumination into the centre of a space.

Tim Webber's 'Y' stools are elegant combinations of wood and powder-coated, primary-coloured steel. 

Our lineup of Design Awards finalists appears to grow more impressive every year, a vote of confidence not only in the increasing appreciation for local design here in New Zealand, but the ingenuity of our designers in creating export-ready objects. Our congratulations to all the designers whose work appears in our June/July Design Awards issue. We look forward to revealing the winner to you on June 4.

On film: Home of the Year 2012

Welcome to the Home of the Year 2012 by Herbst Architects, filmed by Jeremy Toth (with still photography by Patrick Reynolds) and edited by Dean Foster (clever Renaissance man Dean also composed the music). Congratulations to Lance and Nicola and all our award finalists. Our Home of the Year issue, featuring much more coverage of this home and our four fantastic finalists, is on newsstands from Monday April 2.

Home of the Year hall of fame

As we hurtle towards sending our Home of the Year 2012 issue to press, we thought it was a good time to review the previous winners of the award, which is now in its 17th year. So here they are - we'd like to live in all of them.

(This year's Home of the Year winner will be revealed in our new issue, on newsstands April 2. Thanks again to our Home of the Year partner, Altherm Window Systems, for their ongoing support of the award.)

First, our 1996 winner: in Auckland, by Patrick Clifford and his colleagues at Architectus. Photograph by Patrick Reynolds.

Our 1997 winner, also in Auckland, was designed by Felicity Wallace. Photograph by Patrick Reynolds.

This house in the Bay of Islands by Pete Bossley won Home of the Year in 1998. Photograph by Patrick Reynolds.

Back in Auckland, architect Gerrad Hall's own home won the award in 1999. Photograph by Patrick Reynolds.

Fearon Hay Architects took the prize for this Bay of Islands holiday home in 2000. Photograph by Patrick Reynolds.

Architect Gerald Parsonson's own family bach on the Kapiti Coast was our 2001 winner. Photograph by Paul McCredie.

Stevens Lawson Architects won the first of their three Home of the Year titles for this Auckland home in 2002. Photograph by Patrick Reynolds.

Architect Ken Crosson's bach on the Coromandel Peninsula won the Home of the Year 2003 award, as well as the Home of the Decade prize (held to mark 10 years of the Home of the Year award) in 2005. Photograph by Patrick Reynolds.

The Home of the Year 2004 was this Bay of Islands holiday home by Pete Bossley. Photograph by Patrick Reynolds.

This house in the King Country by Mitchell & Stout was named Home of the Year 2005.  Photograph by Patrick Reynolds.

The Home of the Year 2006 in Day's Bay, Wellington, was designed by Hugh Tennent. Photograph by Paul McCredie.

This Auckland house by Stevens Lawson Architects was our 2007 Home of the Year. Photograph by Mark Smith.

The 'Signal Box' in Masterton, designed by Melling Morse Architects, was our 2008 winner. Photograph by Paul McCredie.

Mitchell and Stout Architects' Waiheke house was the 2009 Home of the Year. Photograph by Patrick Reynolds.

Our only South Island winner to date, the 2010 Home of the Year is near Wanaka and was designed by Stevens Lawson Architects. Photograph by Mark Smith.

 

Last year's Home of the Year was the Kare Kare house, designed by Michael O'Sullivan of Bull O'Sullivan Architects.

Our new issue

It's time for our new issue - this time, our annual issue dedicated to art, taking you inside the homes of New Zealand artists and collectors all over the world. This issue will reach subscribers tomorrow and be on newsstands from Monday. The cover is a photograph by Emily Andrews of former Auckland art dealer Anna Bibby's amazing house in Martel, France. The photograph on the sideboard is by Australian artist Anne Zahalka.

Other highlights (and there are plenty!):

• We visit artist Martin Basher and TV producer Martha Jeffries in their apartment in Greenpoint, Brooklyn - as well as Martin's amazing studio in a nearby industrial building with views of Manhattan.
• Auckland art writer and curator Kriselle Baker shows us around her Auckland apartment and her terrific collection of New Zealand photography, including works by Fiona Pardington, Michael Parekowhai, Roberta Thornley, Mark Adams and many more.
• Shane Cotton and Luanne Bond's Manawatu family home, which Luanne designed.
• A mid-century Auckland classic by architect Maurice Patience now houses Andrew and Kate Thomas and their fascinating art collection.
• Artist James Kirkwood's daffy, adorable pagoda in his Titirangi back yard.
• Patrick Reynolds takes fantastic photographs of Auckland's new Fort Lane development.
• Katie Lockhart visits George Nakashima's beautiful studio in Pennsylvania.
• Paul McCredie photographs David Trubridge's new workplace and shop in Hawke's Bay.
• We've also got new architecture by Tennent + Brown Architects (in Northland) and McCoy & Wixon Architects (in Taieri Mouth).

And much more, of course...

From our archives: A hint of summer

Summer's on the way. This cover from our June 1958 issue shows Tibor Donner's magnificent Parnell Baths in Auckland in all their splendour soon after they won the NZ Institute of Architects Gold Medal. The nice thing is they look just as good today.

Outtakes: The Kare Kare house, our Home of the Year 2011 by Michael O'Sullivan

From the black sand of Kare Kare beach, the HOME New Zealand magazine Home of the Year 2011 is almost invisible. The house was designed by Michael O'Sullivan of Bull O'Sullivan Architects for Bob and Barbara Harvey. It's a pleasure for us to be able to show you some outtakes from Patrick Reynolds' beautiful shoot of the house here. In the shot below, you can just see the house nestled among the trees in the lower right-hand corner of the frame.

Inside, the house faces south towards the beach, but draws light in from a sheltered north-facing courtyard and from glass panels on the roof. The weatherboard ceiling appears to fragment and fall away as it nears the home's southern wall, giving way to the glass panels overhead. 

The ceiling tilts towards a band of windows that frame the view towards the beach into a horiztonal slot. Holes for lightbulb recesses are punched into the ceiling.

Outside in the courtyard, the ceiling plane appears to erode again to admit as much sunlight as possible into the space.

The main bedroom (the 129-square-metre house has two bedrooms in total) features orange carpet and windows wrapping the ceiling and wall at the northern end of the room. The door at left leads to the courtyard.

This view from outside the house is about all that can be seen of it from the road. It shows the main bedroom volume (clad in black bituminous roofing membrane) cantilevered over the carport.  



We'll post more outtakes of the finalists in the 2011 Home of the Year here on the blog in the coming days. Thanks again to our Home of the Year partner Altherm Window Systems for their ongoing support of New Zealand's richest architectural prize.

From our archives: Our worst cover ever?

A gem from our archives that shows our predecessors didn't do everything right. This is from the unfortunate period in the 1960s and 1970s when the cover of the magazine was pretty much put up for sale. Here, a model in a field (in a fetching outfit, we must admit) holds an aluminium door frame leading to ... where exactly? We're baffled, but have to admit we kinda love it too.



Home of the Year - our new promo reel

We announce the winner of our Home of the Year award on August 3 (with the magazine on shelves the next morning), but in the meantime, here's a little tease featuring all 10 shortlisted homes.

This year we've collaborated with the Gibson Group to produce short films of each of the shortlisted homes. We'll be posting the films here on the blog from August 4 as well.

Outtakes - Adam and Gaby Ellis' Wellington house

Our new issue is only just out, yet a number of people have already nominated Adam and Gaby Ellis' Wellington house, designed by Amelia Minty, as their favourite. (Like exemplary parents, we don't pick favourites as we love all the houses we publish in our pages equally). 

In any case, these early expressions of enthusiasm seemed like a good reason to publish some of Paul McCredie's lovely images that we couldn't squeeze into the magazine. Here are Gaby and Noa in the living area, with its great green views to the bush of the neighbouring hills in Houghton Bay:

Another view in the living area - this window offers a view south, with a peek at the sea. But mostly, the house is cleverly tucked onto its site with a hill to the south that shelters it from southerly winds.

You enter the home on the lower level, then climb the stairs in the photo below to reach the kitchen, dining and living space: 

This shot looks back down the stairs (at left) towards the entrance.

Outside, the house is remarkable for the way it connects with its verdant surrounds, partly thanks to Adam's landscaping expertise (he runs the Wellington landscape design firm Pollen, which has just outfitted Nikau Gallery Cafe with some swish new courtyard furniture).

Another key contributor to the home's success is the way cars are parked outside, requiring a short walk up to the house. Not so handy on a rainy day, but we think the approach to the house (designed by Adam and shown in the three images below) is so appealing that facing a bit of bad weather is a small price to pay: 

The image below shows the view looking down past the master bedroom and its deck to the deck outside the main living area, covered with a pergola.

This view of the house shows how Amelia designed it to step down the slope - a refreshing change to boring, bulldozed-flat sites, and one that makes the house much livelier as a result.