On film: Home of the Year 2012

Welcome to the Home of the Year 2012 by Herbst Architects, filmed by Jeremy Toth (with still photography by Patrick Reynolds) and edited by Dean Foster (clever Renaissance man Dean also composed the music). Congratulations to Lance and Nicola and all our award finalists. Our Home of the Year issue, featuring much more coverage of this home and our four fantastic finalists, is on newsstands from Monday April 2.

Our new look

Those of you who haven't picked up our latest issue yet may not know that we've undergone a bit of a redesign, courtesy of the lovely team at Inhouse Design. We've put some of the opening spreads from the features in this issue below as a tease. The first is a story about the artist Andrew Barber, with photography taken at his Auckland studio by Jeremy Toth.

On the western shores of Lake Taupo is this bach, a former dental clinic sensitively adapted by architects Rick Pearson and Briar Green, and photographed by Simon Wilson.

Some people have been asking, what's the difference? Good point, as we have opened stories with two full-page images many times in the past. The difference on these pages is our new fonts, but in the body of the magazine we also have a new five-column grid (the underlying organisational structure for the layout), as well as different treatments of small devices like bylines and picture captions. Not enormous changes, and the intention was for it to be evolutionary, rather than revolutionary - so if you haven't noticed, that's OK!

We like: Cafe Hanoi

We're big fans of Auckland's Cafe Hanoi, not only for its fantastic Vietnamese street-style food, but for the beautiful interior of the building the restaurant occupies in Auckland's Britomart Quarter. When you consider the disrespect Auckland has generally had for its old buildings, it's a delight to see a 130-year-old warehouse as cleverly refurbished as this. The restaurant is featured in our current issue of the magazine. These images are from Jeremy Toth's shoot.


Nat Cheshire of Cheshire Architects wanted to preserve the integrity of the existing structure and the layers of history it contained. So paint was scraped back and left exposed, while the room was fitted out with paper lanterns and red-painted, reupholstered vintage chairs.


Cafe Hanoi is one of those rare restaurants where, if the need arises, you can feel very comfortable dining alone, especially if you sit at the bar with its view of the kitchen.


As the restaurant doesn't take reservations in the evening (apart from large groups - it does take lunch reservations), the bar is also the place to wait at for a table. You never have to wait for long, and the view of the bustling, beautifully decorated room makes the time seem to pass quickly anyway. We suggest you visit as soon as you can.

Our cover house - outtakes

Now's a good time to show you some of the outtakes from the art-filled Auckland penthouse on our February/March 'Art Houses' cover. As usual, there were a number of great shots by Jeremy Toth that we couldn't fit into our layouts, so it's our pleasure to show them (and the artworks they show) here. The owners of the penthouse are generous philanthropists in the art world and, as you'll see here, have a remarkable collection of their own.

In this shot, photographs by Tacita Dean at left, and a sculpture by London-based New Zealand sculptor Francis Upritchard at right.

Below this work by Gordon Walters is a table designed by Nat Cheshire of Cheshire Architects (who also designed the penthouse space as a whole) that appears to miraculously float, thanks to the support structure cleverly concealed within it. The bowl is by Gavin Chilcott:

Here's a view of the hearth that Nat designed that we didn't get to show in its full glory in the layout, a faceted concrete creation. The artwork is by Andy Warhol.

Here's a view of the main living space, with its clerestory window, loggia with leafy views, and an artwork by Richard Killeen in the top right of the picture (the orange work at left is by James Ross):

In the guest bedroom, a chair by Donald Judd and an artwork by Gordon Walters:

The main entrance (guests arrive in the elevator) features a neon work by Martin Creed and artworks by Tacita Dean:

And finally, this glimpse to the bathroom from the master bedroom shows two works by Gretchen Albrecht: the canvas at right, and a mosaic she designed for the bathroom: