We like: Patti Smith's photographs

There probably isn't anything this woman can't do. In the New York Times' style magazine, T, A.O. Scott interviews Patti Smith, who has an exhibition opening of her photographs, all of them beautifully composed and acutely observed. The link to the article is here, and the photograph of Smith below is by Anton Corbijn from the New York Times.

We like: Patti Smith's photographs

There probably isn't anything this woman can't do. In the New York Times' style magazine, T, A.O. Scott interviews Patti Smith, who has an exhibition opening of her photographs, all of them beautifully composed and acutely observed. The link to the article is here, and the photograph of Smith below is by Anton Corbijn from the New York Times.

We like: Al Brown's Depot

We would like to join the chorus of approval for Al Brown's Depot in Auckland's Federal Street. The pleasingly rustic interior, designed by Charlie Nott, feels as if it has always been there; the food is easy-going and excellent, and the service impeccable. These photographs are by Florence Noble, and are also featured (along with a terrific write-up by Simon Farrell-Green) in our latest issue. We wish the eatery was a bit closer to work, as we'd go there even more often.

Below, Al Brown at Depot before the lunchtime rush (the place is open from 7am but doesn't take bookings, so it's best to arrive earlyish to ensure you get a table in good time, although the staff are very good at managing waiting times).

A vintage aesthetic permeates the place, making it feel like a long-lasting and well-loved establishment, even though it's pretty new. Just out of shot in this pic is where they shuck the excellent oysters.

Diners down the back get a good view from their benches of the small kitchen.



We like: David Hockney's iPad show

One of the best things about our recent visit to Copenhagen was seeing David Hockney's show of his drawings on the iPad and iPhone at the Lousiana Museum of Modern Art (which is about 30 minutes by train north of the Danish capital). In a darkened room, a wall was lined with iPads showing slideshows of Hockney's sketches - all of them small observational moments with an incredibly charming naive quality to them.

Hockney began using the 'Brushes' application on his iPhone in 2008 and drawing by making strokes with his fingers. More recently, he has been using a stylus on his iPad. He says one of the things he likes about these drawings is the questions they raise abott authenticity and reproduction: he emails drawings to his friends which are, as he says, not copies of the original works, but identical to them in every way.

His commentary accompanying the exhibition also makes the point that, in this context at least, the iPad is a magical medium, lending a luminous quality to these beautiful drawings that pen and ink could never emulate. There is also a pleasing showbizzy sort of touch to the exhibition, with the animated playbacks of some of the drawings being created projected onto one of the gallery walls.

You can read more about the exhibition at the Louisana Museum of Modern Art site here. The drawings below are on display on the site.   



We like: Cosmic Communist Constructions Photographed

Our copy of 'CCCP: Cosmic Communist Constructions Photographed' just arrived from Amazon, and we're agog. Photographer Frederic Chaubin spent seven years photographing extraordinary buildings that were designed and erected in the last 15 years of the existence of the USSR.

The old cliche is of Soviet architecture being a reflection of the state that created it: monolithic, overbearing and uniform. Chaubin's book shows the exceptions to this rule, an incredible flowering of creativity in the late-Soviet period that resulted in some of the most breathtaking and nutcase buildings you'll ever see.

  

  

Chaubin calls these buildings "aesthetic outsiders in an ocean of grey", and suggests they were able to be built because the "Soviet net grew slack... the intertia of the Soviet machine, too busy putting off its own demise, let the work it commissioned on its margins float free of its control". Most of these buildings are in the former Soviet Union's fringes: the Polish border, the Caucasus, or the Black Sea.  But then he also wonders if the USSR under Andropov (who followed Kruschev's almost two decades in power) grew bolder.

Another good quote from Chaubin's very good opening essay: "The fact is that in Russia the most Neanderthal conformism always coexists with the boldest avant-gardes". (He's a pretty good writer as well as photographer).

There's always something enticing about faded utopian dreams, and this book is one of the best examples of that. So yes, it's highly recommended.

We like: Selby

One of our favourite houses in our February/March issue is Selby, the 1973 gem just outside Havelock North designed by Miles Warren. It's pure class, from its park-like setting shown above right down to its signature foundation stone and exterior lights:

These are some more of the outtakes from Paul McCredie's excellent shoot, images that we couldn't fit into the magazine. Here's the entry court, which shows the drama of those sawn-off gabled forms.

This particular diagonal line (in the shot below) points to the main entrance.

Just inside the front door, a window reveals a smaller sitting room, set a few steps down from the home's main pavilion.

The main living room is a much more baronial affair, with lofty heart rimu ceilings supported by dramatic diagonal beams.

This shot (below) shows the swimming pool, as well as the pool house and garden tower. Both the latter structures were built some years after the home was completed - the tower, for example, was finished in 1993.

Selby's owners, John and Helen Foster, gave the house the garden is deserved, a beautiful, formal blend of manicured plants overlooking the tree-lined sheep paddock.

Here we are in the entry court again, with a shot that reveals how fully resolved every detail in the house is.

Incidentally, Selby is for sale (you can view the listing at the Bayleys website here). We normally avoid featuring properties for sale in our pages, for fear of becoming a real estate publication, but in Selby's case we made an exception because the house is so exceptional.

We like: Beijing (part one)

It's Jeremy here - I've just been on holiday to Beijing and thought I'd show you some of my (very amateur) photos. The Chinese capital, of course, is justifiably well-known for the Forbidden City, the Summer Palace, the charming old hutong neighbourhoods, and many other older buildings. But China's incredible economic growth also means its capital serves up a feast of fantastic contemporary architecture. I won't show it all to you here (I'll save some other shots for subsequent posts) but here are some highlights. First, the airport, by Foster + Partners. Huge, elegant and swooping:


Almost everyone knows what Herzog and de Meuron's 'Bird's Nest' stadium looks like. Here's my favourite image that I took of it:

Still not quite occupied is OMA's CCTV Tower, partly because the fire at the TVCC Tower to the left (which you can see charred and scarred in the photo below) set back progress. I was fascinated by the almost organic patterns of the steel structure of the main building. It reminded me of an object that had been trussed with twine to hold it up.

The building didn't dominate the cityscape like the I thought it would - partly because the city is so big and because, at 54 storeys, it isn't unusually tall. But there's no getting away from it once you get into the general vicinity.

Tomorrow, I'll post images of some of the other contemporary highlights of the city - buildings by Steven Holl and Kengo Kuma in particular.

We like: Beijing (part two)

A bit more Beijing contemporary razzle-dazzle, this time Steven Holl's 'Linked Hybrid' in the city's northeast. This ring of towers (with nifty coloured insets around their windows) is joined by a series of spectacular skybridges.

Travellers' tip: pretend to be a rich expat looking for Beijing accommodation like I did, and you can get a tour of the apartments. Or one of them, at least. The disappointing aspect of this was that the apartments were really poorly finished inside, with crap paintwork and cracked tiles in the bathrooms, as well as dust everywhere. Where's the glamour? My Beijing friends tell me this is typical of many new Beijing developments. Quality control is apparently difficult, and everything happens at breakneck speed.

Unfortunately our tour didn't include any of the bridges, because a security guard wouldn't let us in there. Strange. Also, the swimming pool, located in one of the skybridges, isn't functional yet. A woman I met who lives there said she doubts it will ever be. I don't think that's for design reasons - she thought it was probably just because the developer had moved onto other things.

Over in the centre of town - just west of Tiananmen Square, to be exact, is Paul Andreu's National Grand Theatre, otherwise known as 'The Egg'. You have to buy tickets to a show to get into the auditoriums, and unfortunately there weren't any on the few nights I was there:

Here's a shot inside the Water Cube in the Olympic park. The building was more impressive inside than I had expected, although it's already showing terrible signs of wear and tear, and it's less than three years old:

This is a building by Kengo Kuma in the area of Sanlitun, a cool restaurant and shopping area in the eastern embassy district. Kuma also helped out with the masterplanning of this 'village', which aims to replicate the feel of the alleyways of the city's old hutong districts. To me, it seemed like a really successful way to group retail and food outlets in a contemporary way without resorting to a mall-like structure. Here, you had to go outside to move between shops and eateries:

Also by Kengo Kuma is The Opposite House, one of the hotels I stayed in (which is just north of the village complex pictured above). The hotel's terrific (as is the Sanlitun area generally), and highly recommended.

Still to come - shots of the older parts of Beijing, as well as the 798 art district. I'll post them sometime soon.

We like: Take Ivy

We're silly about Take Ivy, the recently republished 1965 book by Japanese photographer Teruyoshi Hayashida with text by Shosuke Ishizu, Toshiyuki Kurosu and Hajime Hasegawa.

The book is a series of photos of students at U.S. Ivy League campuses in the 1960s that seeks to explain the elements of preppy style. It's fantastic not only because of the way the captions refer to the students in the photographs as if they are some sort of exotic species (which, in many ways, Ivy League students still are), but because the clothes they wear are still so fashionable today.


The book's blurb says that when it was originally published, it set off an explosion of American-influenced "Ivy Style" among students in Tokyo. If you've been to Tokyo, it's easy to suggest that this so-called explosion is still reverberating today - although you could also argue that the way Japanese fashionistas have tweaked preppy style means they have turned it into a style all their own.

However, this is now, and that is then - and we recommend Take Ivy as a completely charming time capsule (and a very good gift for your favourite prep fans). It's published by Powerhouse Books. We got our copy at Auckland's Unity Books.

We like: Cafe Hanoi

We're big fans of Auckland's Cafe Hanoi, not only for its fantastic Vietnamese street-style food, but for the beautiful interior of the building the restaurant occupies in Auckland's Britomart Quarter. When you consider the disrespect Auckland has generally had for its old buildings, it's a delight to see a 130-year-old warehouse as cleverly refurbished as this. The restaurant is featured in our current issue of the magazine. These images are from Jeremy Toth's shoot.


Nat Cheshire of Cheshire Architects wanted to preserve the integrity of the existing structure and the layers of history it contained. So paint was scraped back and left exposed, while the room was fitted out with paper lanterns and red-painted, reupholstered vintage chairs.


Cafe Hanoi is one of those rare restaurants where, if the need arises, you can feel very comfortable dining alone, especially if you sit at the bar with its view of the kitchen.


As the restaurant doesn't take reservations in the evening (apart from large groups - it does take lunch reservations), the bar is also the place to wait at for a table. You never have to wait for long, and the view of the bustling, beautifully decorated room makes the time seem to pass quickly anyway. We suggest you visit as soon as you can.

We like: Handcrafted Modern

Our current favourite book is Handcrafted Modern, by American photographer and writer Leslie Williamson, who visited, photographed and wrote about some of the most memorable US homes owned by modernist architects and designers.

Williamson visited the homes of the late Charles and Ray Eames, George Nakashima, Harry Bertoia, Russel Wright (below and above), and Walter Gropius (bottom) among others.


As a whole, the book offers a counterpoint to anyone who suggests modernist design is minimal and cold-hearted, as all of the homes featured in it are warm, humane and utterly seductive.

Leslie Williams has posted outtakes from some of her shoots, as well as other work, on her blog, http://lesliewilliamsonphoto.blogspot.com/ But the beautifully produced book is the thing we like the best.

We like: The Glass Room

A work of fiction, with modernist architecture at its heart: we're a little late to the party with The Glass Room by Simon Mawer (it was shortlisted for the Man Booker prize in 2009), but it is certainly worth adding to the Christmas gift list of any architecture-obsessed friend who hasn't already devoured it. Not that it's a book for architecture enthusiasts alone, as its roller-coaster plot will engage even the flightiest readers.

The book is a ripping fictional yarn set in a real house: Mies van der Rohe's Vila Tugendhat, designed and built from 1928-1930 in the Czech Republic and now recognised as a World Heritage Site.

The book captures the optimism of the times, embodied by Mies' shimmering modernist architectural creation, and follows the home's Jewish owners as they are forced to flee the chaos and bloodshed of the Nazi invasion. We highly recommend it. You can find out more about the Vila Tugendhat at the link here.