Home of the Year hall of fame

As we hurtle towards sending our Home of the Year 2012 issue to press, we thought it was a good time to review the previous winners of the award, which is now in its 17th year. So here they are - we'd like to live in all of them.

(This year's Home of the Year winner will be revealed in our new issue, on newsstands April 2. Thanks again to our Home of the Year partner, Altherm Window Systems, for their ongoing support of the award.)

First, our 1996 winner: in Auckland, by Patrick Clifford and his colleagues at Architectus. Photograph by Patrick Reynolds.

Our 1997 winner, also in Auckland, was designed by Felicity Wallace. Photograph by Patrick Reynolds.

This house in the Bay of Islands by Pete Bossley won Home of the Year in 1998. Photograph by Patrick Reynolds.

Back in Auckland, architect Gerrad Hall's own home won the award in 1999. Photograph by Patrick Reynolds.

Fearon Hay Architects took the prize for this Bay of Islands holiday home in 2000. Photograph by Patrick Reynolds.

Architect Gerald Parsonson's own family bach on the Kapiti Coast was our 2001 winner. Photograph by Paul McCredie.

Stevens Lawson Architects won the first of their three Home of the Year titles for this Auckland home in 2002. Photograph by Patrick Reynolds.

Architect Ken Crosson's bach on the Coromandel Peninsula won the Home of the Year 2003 award, as well as the Home of the Decade prize (held to mark 10 years of the Home of the Year award) in 2005. Photograph by Patrick Reynolds.

The Home of the Year 2004 was this Bay of Islands holiday home by Pete Bossley. Photograph by Patrick Reynolds.

This house in the King Country by Mitchell & Stout was named Home of the Year 2005.  Photograph by Patrick Reynolds.

The Home of the Year 2006 in Day's Bay, Wellington, was designed by Hugh Tennent. Photograph by Paul McCredie.

This Auckland house by Stevens Lawson Architects was our 2007 Home of the Year. Photograph by Mark Smith.

The 'Signal Box' in Masterton, designed by Melling Morse Architects, was our 2008 winner. Photograph by Paul McCredie.

Mitchell and Stout Architects' Waiheke house was the 2009 Home of the Year. Photograph by Patrick Reynolds.

Our only South Island winner to date, the 2010 Home of the Year is near Wanaka and was designed by Stevens Lawson Architects. Photograph by Mark Smith.

 

Last year's Home of the Year was the Kare Kare house, designed by Michael O'Sullivan of Bull O'Sullivan Architects.

Rick Joy, New Zealand-bound

The excellent American architect Rick Joy is on his way to New Zealand to give lectures in Auckland, Wellington and Christchurch about his work. We're looking forward to what will be a fascinating talk series, so wanted to let you know about it.

 
Here are the details of the Dulux Futuna lectures (supported by Intergrain and Metalcraft Roofing):
 
Wellington, Sunday 18 March, 6.30pm
Futuna Chapel, 67 Friend Street, Karori
 
Christchurch, Monday 19 March, 6.30pm
CPIT Lecture Theatre, Madras Street
 
Auckland, Thursday March 22, 6.30pm
Engineering lecture theatre 439, University of Auckland, 20 Symonds Street
 
Ticket prices range from $15-$25. Tickets can be reserved by filling out the booking form here. 

Christchurch style, 30 years on

From our friends at NZ On Screen, this excerpt from David Mitchell's exemplary 1980s show about architecture, 'The Elegant Shed', examines 'Christchurch style' and is particularly interesting in a post-quake context. Enjoy.

 

Junya Ishigami's Balloon

We're silly about the work of Japanese architect Junya Ishigami, who was in Auckland last week speaking at the NZ Institute of Architects' conference. During his talk, Ishigami showed images of his creation 'Balloon', an aluminium structure that weighed one tonne but floated ethereally in a Tokyo gallery space because it was filled with helium. It looked miraculous, and prompted an eruption of spontaneous applause. We found this YouTube video of it to show you:

Our new issue

It's time for our new issue - this time, our annual issue dedicated to art, taking you inside the homes of New Zealand artists and collectors all over the world. This issue will reach subscribers tomorrow and be on newsstands from Monday. The cover is a photograph by Emily Andrews of former Auckland art dealer Anna Bibby's amazing house in Martel, France. The photograph on the sideboard is by Australian artist Anne Zahalka.

Other highlights (and there are plenty!):

• We visit artist Martin Basher and TV producer Martha Jeffries in their apartment in Greenpoint, Brooklyn - as well as Martin's amazing studio in a nearby industrial building with views of Manhattan.
• Auckland art writer and curator Kriselle Baker shows us around her Auckland apartment and her terrific collection of New Zealand photography, including works by Fiona Pardington, Michael Parekowhai, Roberta Thornley, Mark Adams and many more.
• Shane Cotton and Luanne Bond's Manawatu family home, which Luanne designed.
• A mid-century Auckland classic by architect Maurice Patience now houses Andrew and Kate Thomas and their fascinating art collection.
• Artist James Kirkwood's daffy, adorable pagoda in his Titirangi back yard.
• Patrick Reynolds takes fantastic photographs of Auckland's new Fort Lane development.
• Katie Lockhart visits George Nakashima's beautiful studio in Pennsylvania.
• Paul McCredie photographs David Trubridge's new workplace and shop in Hawke's Bay.
• We've also got new architecture by Tennent + Brown Architects (in Northland) and McCoy & Wixon Architects (in Taieri Mouth).

And much more, of course...

Brian MacKay-Lyons - almost here

It's just over a week until the international member of our Home of the Year jury, Canadian architect Brian MacKay-Lyons, arrives in New Zealand to give talks about his remarkable work in Auckland (on February 8) and Wellington (on February 9). Tickets are on sale at Ticketek at the link here.

Brian is a leading proponent of regionalist architecture (the project shown above is in Nova Scotia and was photographed by Greg Richardson), as well as being a sheep farmer and sea kayaker, so his talks promise to be fascinating. Architects get 10 CPD points for attending. Thanks to our Home of the Year partner Altherm Window Systems for making Brian's visit possible. We look forward to seeing you at these special events.

Travel: Ice Cube at The Eames house

While we're on the subject of the Eames house (as in our previous post), the Eames Foundation has a short web clip of the house, with commentary from Ice Cube. It's worth a look:

Travel: The Eames House, Los Angeles

One of LA's many modernist marvels, the Eames house is remarkable not only for its architectural pedigree (the original scheme for the house was designed by Charles Eames and Eero Saarinen, but significantly adapted before construction by Charles and Ray Eames), but because it is redolent of the rich, creative and generous lives of its occupants. The Eames's moved into the house in 1949; they lived there until their deaths (Charles in 1978, Ray exactly 10 years later). Their daughter, Lucia, set in motion the process of making the house a National Historic Landmark.

These days, reservations are required for a visit, but the process is relatively easy (you can opt for a self-guided exterior tour, or pay more for a guided tour of the interior). 

We were staying in Santa Monica, which meant we could walk to the house in about half an hour - a rare luxury in LA, especially as the walk was mostly along Santa Monica beach. The house is set in a grove of eucalyptus trees in Pacific Palisades, although rather than being located in the centre of the property, the Eames pushed it to the edge of the grove to maximise their enjoyment of the open space. There are views of the ocean from the edge of the property. This image shows the entrance to the house, with its Mondrian-inspired colour panels.

Although we had opted for the exterior tour, the glassiness of the house means it is still easy to see inside. At the moment, the contents of the Eames's living room have been temporarily relocated to the Los Angeles County Museum of Art as part of the LA-side Pacifc Standard Time exhibition. The living room of the house is now set up just as it was when the Eames moved in around Christmas 1949, with colourfully decorated tools suspended from the ceiling by string. An exhibition of photographs in the grove shows the development of the living room's eclectic decor. This photo shows a view back to the house from the lawn.

Outside the living room is a beautiful, Japanese-inspired courtyard.

Belowis another view of the entrance. These are my images, but you can find a greater variety of superior shots, as well as information on how to visit, at the Eames Foundation's site at the link here. It's well worth visiting if you're going to LA, and much easier to do so than you'd expect. While you're there, it's also worth checking out other parts of the Pacific Standard Time exhibition, which involves cultural institutions all over the city. We saw a terrific show downtown at the Geffen Contemporary at MOCA which I'll write more about in a later post.  

Travel: Chichu Art Museum, Naoshima, Japan

Over the break we enjoyed a fleeting visit to the Benesse art site on Naoshima Island in Japan. Having stayed in Takamatsu, we caught a 50 minute ferry to Naoshima, and on arrival rented bikes for getting around the island. Naoshima is home to a number of museums, galleries and outdoor artworks, though the Chichu art museum designed by architect Tadao Ando was a personal highlight. Constructed in 2004, the reinforced concrete museum permanently houses works by Claude Monet, James Turrell and Walter de Maria. Submerged in the hillside, it does not compete with the natural landscape, lying flush with geometric sky-lights visible from an aerial view, as shown below.



Each gallery space is individually crafted around the experience of the art piece, and lit solely with natural light. Here is the gallery housing works by Claude Monet.

The image below shows a gallery featuring the work of Walter de Maria.

In Chichu, Ando has created a work of art in itself that honours the pieces within it. Accentuated by the absence of crowds and peaceful setting, our visit left us with a deep sense of calm.

From our archives: A hint of summer

Summer's on the way. This cover from our June 1958 issue shows Tibor Donner's magnificent Parnell Baths in Auckland in all their splendour soon after they won the NZ Institute of Architects Gold Medal. The nice thing is they look just as good today.

We like: Hometown Boomtown

Preservation arguments are raging in Christchurch right now, which makes this very interesting clip from the documentary Hometown Boomtown from NZ On Screen all the more pertinent. It examines the major changes to Wellington's cityscape (many of them made in the name of earthquake strengthening) in the 1970s and 1980s, includes interviews with many of the major players of the time (including Bob Jones and then-mayor Sir Michael Fowler), and has heaps of amazing demolition footage. Worth a look!

We like: Diana Vreeland, The Eye Has to Travel

Sometimes those late-night internet shopping binges don't carry any post-purchase regret: this morning our copy of Diana Vreeland: The Eye Has to Travel arrived in the post, and we've all been swooning ever since. Vreeland was fashion editor at Harper's Bazaar in its mid-century heyday (with editor Carmel Snow and art director Alexey Brodovitch, with an incredible roster of contributors including Richard Avedon and a host of other top-notch photographers) before moving to become editor in chief at Vogue. The layouts she worked on are still beautiful and inspirational. (The image on the cover was photographed at Frank Lloyd Wright's Taliesin West). The book is a perfect Christmas gift.  

We like: Patti Smith's photographs

There probably isn't anything this woman can't do. In the New York Times' style magazine, T, A.O. Scott interviews Patti Smith, who has an exhibition opening of her photographs, all of them beautifully composed and acutely observed. The link to the article is here, and the photograph of Smith below is by Anton Corbijn from the New York Times.

We like: Patti Smith's photographs

There probably isn't anything this woman can't do. In the New York Times' style magazine, T, A.O. Scott interviews Patti Smith, who has an exhibition opening of her photographs, all of them beautifully composed and acutely observed. The link to the article is here, and the photograph of Smith below is by Anton Corbijn from the New York Times.

Events: The Department Store

Thanks to Altherm Window Systems, Waipara Hills wines and The Department Store for their support for a client function we held at The Department Store in Takapuna last night.

Our guests got to use their Department Store vouchers from their gift bags (which also contained The Department Store newspaper and a copy of the new issue of HOME) to shop a little before our conversation about design with architects Patrick Clifford of Architectus, Michael O'Sullivan of Bull O'Sullivan Architects and Richard Naish of RTA Studio.

We even had a celebrity guest (thanks for coming, Tim Finn!).

We like: Al Brown's Depot

We would like to join the chorus of approval for Al Brown's Depot in Auckland's Federal Street. The pleasingly rustic interior, designed by Charlie Nott, feels as if it has always been there; the food is easy-going and excellent, and the service impeccable. These photographs are by Florence Noble, and are also featured (along with a terrific write-up by Simon Farrell-Green) in our latest issue. We wish the eatery was a bit closer to work, as we'd go there even more often.

Below, Al Brown at Depot before the lunchtime rush (the place is open from 7am but doesn't take bookings, so it's best to arrive earlyish to ensure you get a table in good time, although the staff are very good at managing waiting times).

A vintage aesthetic permeates the place, making it feel like a long-lasting and well-loved establishment, even though it's pretty new. Just out of shot in this pic is where they shuck the excellent oysters.

Diners down the back get a good view from their benches of the small kitchen.



Events: Kevin McCloud, a reminder

A reminder, for those of you who don't have your tickets yet (and many of you do, we know), that HOME New Zealand is delighted to be part of the team bringing Grand Designs host Kevin McCloud to New Zealand to do a lecture at The Civic in Auckland on Wednesday October 26, 2011. Tickets are on sale via The Edge at the link here.



We like: David Hockney's iPad show

One of the best things about our recent visit to Copenhagen was seeing David Hockney's show of his drawings on the iPad and iPhone at the Lousiana Museum of Modern Art (which is about 30 minutes by train north of the Danish capital). In a darkened room, a wall was lined with iPads showing slideshows of Hockney's sketches - all of them small observational moments with an incredibly charming naive quality to them.

Hockney began using the 'Brushes' application on his iPhone in 2008 and drawing by making strokes with his fingers. More recently, he has been using a stylus on his iPad. He says one of the things he likes about these drawings is the questions they raise abott authenticity and reproduction: he emails drawings to his friends which are, as he says, not copies of the original works, but identical to them in every way.

His commentary accompanying the exhibition also makes the point that, in this context at least, the iPad is a magical medium, lending a luminous quality to these beautiful drawings that pen and ink could never emulate. There is also a pleasing showbizzy sort of touch to the exhibition, with the animated playbacks of some of the drawings being created projected onto one of the gallery walls.

You can read more about the exhibition at the Louisana Museum of Modern Art site here. The drawings below are on display on the site.   



Outtakes: The Kare Kare house, our Home of the Year 2011 by Michael O'Sullivan

From the black sand of Kare Kare beach, the HOME New Zealand magazine Home of the Year 2011 is almost invisible. The house was designed by Michael O'Sullivan of Bull O'Sullivan Architects for Bob and Barbara Harvey. It's a pleasure for us to be able to show you some outtakes from Patrick Reynolds' beautiful shoot of the house here. In the shot below, you can just see the house nestled among the trees in the lower right-hand corner of the frame.

Inside, the house faces south towards the beach, but draws light in from a sheltered north-facing courtyard and from glass panels on the roof. The weatherboard ceiling appears to fragment and fall away as it nears the home's southern wall, giving way to the glass panels overhead. 

The ceiling tilts towards a band of windows that frame the view towards the beach into a horiztonal slot. Holes for lightbulb recesses are punched into the ceiling.

Outside in the courtyard, the ceiling plane appears to erode again to admit as much sunlight as possible into the space.

The main bedroom (the 129-square-metre house has two bedrooms in total) features orange carpet and windows wrapping the ceiling and wall at the northern end of the room. The door at left leads to the courtyard.

This view from outside the house is about all that can be seen of it from the road. It shows the main bedroom volume (clad in black bituminous roofing membrane) cantilevered over the carport.  



We'll post more outtakes of the finalists in the 2011 Home of the Year here on the blog in the coming days. Thanks again to our Home of the Year partner Altherm Window Systems for their ongoing support of New Zealand's richest architectural prize.