Showing posts with label New Zealand design. Show all posts
Showing posts with label New Zealand design. Show all posts

Our new cover



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Our new cover (our April/May issue is our annual renovations special) features a photograph by Paul McCredie of a renovation designed by Max Herriot of Wellington's Herriot + Melhuish. We hope you like it.

The issue features four renovations as well as four other houses, including shoe designer Kathryn Wilson's Spanish Mission-style Auckland apartment, Adam and Gaby Ellis' Wellington home by Amelia Minty, artist Max Gimblett's New York home and studio, and Simon Carnachan's Queenstown retreat. It's on newsstands on Monday - subscribers should get their copies this weekend.

Outtakes - Martin Poppelwell



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Artist Martin Poppelwell's Napier studio was designed by Wellington-based architect Ashley Cox, and features in our current issue. These are some outtakes from Paul McCredie's shoot there. It's a rare luxury for an artist to be able to have a purpose-built studio - and although Martin's studio is too economical to be anywhere near indulgent, the light, space and view to the garden feel luxurious indeed.



The studio is in the garden of the property Martin owns on Napier Hill, which is also occupied by his small cottage. You can see how the buildings relate to each other in the image below.


The studio steps down in three stages, which Martin divides into thinking, production and dispatch areas. 



Here's the artist himself, taking in some of the late-afternoon sun.


This image shows the studio's skylights poking up above the corrugated iron boundary fence.


And here's the studio at twilight, with the cottage on the left of this image.

We like: Selby



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One of our favourite houses in our February/March issue is Selby, the 1973 gem just outside Havelock North designed by Miles Warren. It's pure class, from its park-like setting shown above right down to its signature foundation stone and exterior lights:
These are some more of the outtakes from Paul McCredie's excellent shoot, images that we couldn't fit into the magazine. Here's the entry court, which shows the drama of those sawn-off gabled forms.

This particular diagonal line (in the shot below) points to the main entrance.

Just inside the front door, a window reveals a smaller sitting room, set a few steps down from the home's main pavilion.

The main living room is a much more baronial affair, with lofty heart rimu ceilings supported by dramatic diagonal beams.

This shot (below) shows the swimming pool, as well as the pool house and garden tower. Both the latter structures were built some years after the home was completed - the tower, for example, was finished in 1993.

Selby's owners, John and Helen Foster, gave the house the garden is deserved, a beautiful, formal blend of manicured plants overlooking the tree-lined sheep paddock.


Here we are in the entry court again, with a shot that reveals how fully resolved every detail in the house is.

Incidentally, Selby is for sale (you can view the listing at the Bayleys website here). We normally avoid featuring properties for sale in our pages, for fear of becoming a real estate publication, but in Selby's case we made an exception because the house is so exceptional.

My Favourite Building: Futuna's 50th anniversary



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Wellington art dealer Peter McLeavey's favourite building is featured in our current issue. Peter chose John Scott's masterpiece, Futuna Chapel, as his favourite - you can read why below. The photograph is by Paul McCredie.

"This enigmatic masterpiece has always held me," Peter writes. "For me it consists of two halves, the exterior and interior. The exterior evokes Maori civilisation and the cultures of the Pacific, while the interior reminds me of the beginnings of Christianity, the communities where the church began, the world of the desert fathers, the architecture of the Benedictine order and the Cistercians. The exterior is relatively unadorned where the form carries the aesthetic, while the beautifully orchestrated interior is embellished with the Stations of the Cross and glass designed by Jim Allen. Its reticence nourishes the spirit."




CELEBRATING 50 YEARS - THE PROGRAMME
Futuna Chapel, Friend Street, Karori, Wellington is the venue for all events. Seating capacity 100 persons. A marquee and extra chairs will be available for overfl ow. A small PA system will broadcast the Mass to the outside area. Public welcome to all events (preferential booking for architects at CPD events). Refreshments available for purchase. No parking on site please
FRIDAY 18TH MARCH
Powhiri and welcome (Th e powhiri will be outdoors weather permitting.)
Unveiling of restored plaques and gold medal
Music performance by Aroha Yates-Smith
Time: 5:00 to 7:30pm
SATURDAY 19TH MARCH
Mass celebrated by Archbishop John Dew
Time: 11:00am 12:30pm
ARCHITECTURE MODELLING SEMINAR / 15 CPD points
Cost: $15.00 NZIA members / $20.00 non NZIA members / Arch Students Free (limited spaces available)
Time: 2:00pm – 3:30pm
Participants: Plytech, Ponoko, Tony Richardson – Model Designer, architecture students
To Book: Th e Whiteboard Ltd / mail@thewhiteboard.co.nz / ph 04 4999550
FUTUNA: DESIGN RESEARCH SEMINAR / 20 CPD points
Cost: $20.00 NZIA members / $25.00 non NZIA members / Arch Students Free (limited spaces available)
Time: 4:00pm – 5:30pm
Participants: Amanda Yates Lecturer Massey University
Professor Dorita Hannah Massey University
Professor of Architecture Mike Austin UNITEC
Albert Refiti Senior Lecturer Spatial Design AUT
To Book: The Whiteboard Ltd / mail@thewhiteboard.co.nz / ph 04 4999550
The Dulux Futuna Lecture by Ric Leplastrier Architect (Australia) / 15 CPD points
Recipient of the Dreyer Foundation Prize 2009
http://www.ozetecture.org/oze_NEW_portfolio_richard.html
Cost: $25.00 NZIA members / $30.00 non NZIA members / $10.00 Arch Students (limited spaces available)
Time: 6:00pm to 7:30pm
To Book: The Whiteboard Ltd / mail@thewhiteboard.co.nz / ph 04 4999550
SUNDAY 20TH MARCH
Architects at Futuna / 25 CPD Points
Cost: $25.00 NZIA members / $30.00 non NZIA members / $10.00 Arch Students Free (limited spaces available)
Time: 9:30am registration and introductions, talks 10:00am to 1:00pm
Participants: Peter Beaven, Ian Athfield, Gerald Melling, David Mitchell, John Walsh (Communications Manager, NZIA)
To Book: The Whiteboard Ltd / mail@thewhiteboard.co.nz / ph 04 4999550
Public Open Day and Musical Performance
Cost: Koha
Time: 1:30pm to 4:30pm ( Music 2:00pm to 2:30pm)
Refreshments: Available for purchase Saturday and Sunday
Peter's selection of Futuna is timely, as the Futuna Trust is organising celebrations for the chapel's 50th anniversary in mid-March. Most importantly, the chapel will be open to the public on Sunday March 20, a terrific opportunity to see inside this fantastic structure. Here are the programme details (which are also available at http://www.futunatrust.org.nz/):

Outtakes: A favourite recent house



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One of our favourite houses we've recently featured in our pages is a 1954 gem in Hamilton by architect Peter Middleton. It was the city's first architect-designed modernist house, a brave experiment in open-plan living. Heather Lomas, who with her husband Alan, commissioned Middleton to design the house, still lives there, and can therefore attest to the longevity of his design. All these photographs were taken by Paul McCredie. Here, Heather opens the door separating the living room from the kitchen and dining area, a device Middleton created in order to separate children and adults when necessary.

An elegant stone fireplace separates the living area from the library, up a couple of steps.
The image below shows the cedar-lined bedroom with a view out to the garden, which runs down to Lake Rotoroa. The shot below that shows the view of the house from the garden.

And the image below shows Heather herself sitting outside her house. After we sent her a copy of the magazine with her home in it, she sent us a lovely letter. Our favourite quote: "Paul McCredie's ruthless elimination of much of the clutter in the house for the photographs certainly paid off - they are excellent". (We should add that Paul is indeed one of our most skilled declutterers). Heather added that she was sorry that Peter Middleton is no longer alive to enjoy the appreciation of this house. We agree, but we also think it's a testament to his talent that his work has dated so beautifully, as enjoyable now as it was when it was first designed.

Daniel Marshall on Waiheke



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The first of two houses by Daniel Marshall on Waiheke Island that are finalists in our Home of the Year award is at Waikopua Bay, at the very eastern end of the island. The house is located at the bottom of an incredibly steep driveway, and faces slightly southeast. Daniel decided to arrange the buildinfs - a carport, the main house and a guest room above a boatshed - around the path of an old stream bed that ran through the site. This creates the feeling of an encampment centred around the sunken courtyard at the rear of the living pavilion. These photographs - most of which we couldn't fit in the article on the house in our Home of the Year issue - are by Simon Devitt.


This view from the water shows the way the building nestles into its site. The Felipe Tohi sculpture out the front provides a useful navigation point, apparently, when guiding the fishing boat back in the evenings.


Daniel chose the black colour for much of the exterior so it would blend in with the dark trunks of the manuka trees behind it.

This view shows the stone wall of the living pavilion that borders the old creek bed and the path between the two structures.

Our new cover



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Here's our June/July cover - a photograph of the lodge at Mountain Landing designed by Pip Cheshire. The photograph is by Patrick Reynolds. We hope we've captured a warm winter mood that will seduce thousands of potential readers into purchasing this issue. For any of you fretting about text legibility, the actual magazine features a more vivid fluoro orange that speaks much more loudly than this CMYK version.

The new issue is on newsstands from June 7.

Design Awards 2010 - Behind the Scenes



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Our June/July issue - which will be on newsstands on June 7 - features our annual furniture Design Awards. We were delighted with the individuality and all-round pizzazz of this year's finalists, and can't wait to show them to you in the magazine (where you'll also be able to find out who the Design Awards 2010 winner is).

For this year's Design Awards shoot, we had all the finalist pieces shipped to Auckland and photographed at the Union Fish Company building in the Britomart area, where the rough concrete floors and exposed brick walls made a fine backdrop for the very polished entries. Our stylists Tanya Wong and Jessica Allen worked with photographer Toaki Okano and his assistant Lorna to photograph the pieces.

Here's Toaki behind the camera, with Jess and Lorna setting up a group shot of the finalists (Tanya took these pics). In this shot, you can see Jamie McLellan's yellow 'Flyover' table, Andy Irving's 'Matchstick' stools (at left), Nathan Goldsworthy's 'Historian' bookshelves, Stephanie Donald's white 'Tangent' coffee table, and Sam Lennon's red 'Inverted Cube' coffee table:

And here's Toaki again, this time photographing Tim Wigmore's 'Pil' light:
The chair in the image below is the 'Starling' by Cameron Foggo:
Here's Toaki in a lighter moment:

And some more of the finalist objects, waiting for their close-ups. The pink 'Hostess' table at right is by Katy Wallace, and is made of pieces of junk-shop furniture. Beside it, the blue 'Table/Cloth' table is by Juliette Wanty.

The Design Awards 2010 winner was chosen by designer Humphrey Ikin and Michael Lett (of the eponymous Auckland gallery). Remember to watch out for full award coverage in our June/July issue - we just sent the final pages to the printer yesterday, so it won't be long until it hits the shelves.

Mountain Landing sketches



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Posting the previous item made us think this was also a good opportunity to publish some of Pip Cheshire's early sketches of the house at Mountain Landing. You can see from these why, in the era of the digital rendering, a good drawing still has an unbeatable allure.





Cheshire Architects at Northland's Mountain Landing



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A sneak preview from our June/July issue, which will be on newsstands on June 7. In it, Pip Cheshire, the designer of this lodge/getaway at Mountain Landing in the Bay of Islands, ponders the question of bigness in residential architecture, and the consequent fear of botching a beautiful landscape with an architectural intervention. Here's an image of the lodge he designed, photographed by Patrick Reynolds - as you can see, the landscape around it is extraordinary and, in our opinion, the house is a suitably strong but respectful presence in it:


Mountain Landing is a private subdivision at the northern end of the Bay of Islands. Once a run-down farm, the developers have invested heavily in the creation of wetlands and vast new planted areas. This is a view of the house from down at the bay - it's one of the first homes to be built in the development.

And here's a view of the bay from the home's terrace:

In the magazine, we ask Pip if the prospect of building on such an amazing site was intimidating.

"Yes," he says. "The nervousness here stems from two aspects, that I might stuff up a great opportunity and a nice paddock and, more importantly, that the site is so loaded - high landscape and heritage values - that the building couldn’t blink, it needed to be strong without dominating."

We also asked about his decision to adopt a very different strategy from "touching the earth lightly", Glenn Murcutt's famous architectural dictum.

"I think that Murcutt line of touching the earth lightly is great and certainly fits Australia’s history and landscape," Pip says, "but we are a land of major earthworks, of trenches, palisades and ramparts. It's not a universal: I have some lighter projects but where its a big project, a big brief, then I guess I would usually dig in if there was some sort of slope."

You can read the full Q+A with Pip and the story he's written about the property in our next issue (it isn't often that architects are also authors - in Pip's case, his recent book Architecture Uncooked - so we took the opportunity to commission him to write about his own project for this issue). Keep an eye out for it on newsstands soon.

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