World Architecture Festival - the NZ finalists

New Zealand architects have made a fantastically strong showing in the shortlist of nominees for awards at the World Architecture Festival.

First, with an impressive three nominations (and one shared one) are these projects from Fearon Hay Architects: The Brancott Estate Heritage Centre in Marlborough (below), shortlisted in the  'Display' category of the festival and featured in our December/January 2012 issue. The photo below is by Patrick Reynolds.

 

Fearon Hay's Imperial Lane project in Auckland (below), featured in our February/March issue, picked up a nomination in the festival's 'Old and New' category. Photo by Patrick Reynolds.

Jeff Fearon and Tim Hay are going to have a very busy time of it when they present shortlisted projects to the judges at the festival in Singapore in October: their Island Retreat (below), featured in our current issue, has been shortlisted in the 'Villa' category of the awards. 

And the firm was also nominated in the urban design category, along with Taylor Cullity Lethlean of Melbourne, for their excellent work at Auckland's North Wharf (below). Both photos by Patrick Reynolds.

   

In non-Fearon Hay nominations, Ken Crosson of Crosson Clarke Carnachan's Hut on Sleds at Whangapoua Beach (below), a finalist in our Home of the Year award 2012, is shortlisted in the festival's 'Villa' category. Photo by Jackie Meiring. 

Patterson Associates' Geyser building (below) on Auckland's Parnell Road is nominated in the festival's 'Office' category. 

As we mentioned earlier in the week, RTA Studio's C3 house (below, which is planned, but not yet built) has picked up a nomination in the 'Future Projects' section.

Also in 'Future Projects' a planned Waikato Whanau Ora centre (below) by Hamish Monk, Aaron Paterson and Dominic Glamuzina of The Flood.

All the finalists will travel to the World Architecture Festival in Singapore in October to give presentations about their work to a panel of judges. We wish them luck, and congratulate them on their success in getting this far. 

The full World Architecture Festival shortlist is here.

Outtakes: Waiheke Island holiday home

In our current issue, the Waiheke Island house by Fearon Hay Architects (photographed by Patrick Reynolds) creates a powerful paradox between a camping experience, with all the outdoors roughness it implies, and the luxurious elegance of a holiday home, to resolve it in a striking chef-d’oeuvre.

At first sight, to reach for tent and camping metaphors in an expensive holiday home seems to flirt with absurdity. But here, the house and the environment enhance themselves in beautiful contrasts. If you set the luxury trappings aside, there is still something fundamentally camp-like about the experience of being in the home. 

In the living pavilion, light flows freely through the space thanks to the fixed floor-to-ceiling panel windows that make up an entire wall. On the other side, glass doors open to blur the space with the lawn outside.

The pavilions are separated from each other, demanding a physical engagement with the outdoors – be it to feel the wind or get a little wet on your way to bed!

In the empty central space that makes for an outdoor gathering point, the home’s owners gather around a brazier in the evenings. “We thought, if you set up a camp here, this is where you’d put your fire” says Tim Hay of Fearon Hay Architects.

The encampment-like arrangement of the house was designed so it nestles into the topography. Says Tim: “There was a strong sense of a centre on the site, like a crater, and we didn’t want to disturb that.” That’s why they designed the pavilions to open inwards to the courtyard, the empty space at the heart of this remarkable home. On the other side of the courtyard is a living area containing a TV.

This bowl-like shape of the land surrounding the property is made clear in this view through the main living pavilion.

 

The encampment setting heightens the sense of luxury of having a roof on your head. Roughness and refinement merge into each other. In the ensuite bathroom, designed by Tim’s sister Penny of Penny Hay Interiors, white curtains run on a continuous track around the room, allowing it to be turned into a cocoon-like space.

An overhead skylight in the ensuite bathroom allows light to spill down the wall.

“We were keen that [the house] had an expression of materiality that wasn’t too perfect or polished,” Tim says, so they chose a roughcast plaster finish for the house nicely offset by the smooth sheen of the perforated metal screens.

This house ultimately gives you the feeling to be both surrounded by nature and still nestled in comfort.

From the courtyard, a small aperture between the bedrooms allows a glimpse of the view to the west, taking in Rangitoto and the waters of the Hauraki Gulf.

Fearon Hay wins chapel design competition

Fearon Hay Architects have won the much sought-after competition to design a chapel at Auckland's Holy Trinity Cathedral.

The firm's design features a glass-walled chapel with a canopy roof featuring mosaic artwork.

"This winning design, in its inherent simplicity and economy of means, provides a powerful starting point for achieving an inspiring, useful and ‘of its time’ Chapel," said David Sheppard, President-elect of the NZ Institute of Architects and the competition judging panel chair. "It promises to become a perfect complement to the great works of St Mary’s, Architect Towle’s Chancel, Dr Toy’s Nave and forecourt, and Jacky Bowring’s memorial gardens.”

It will be located at the south end of the Cathedral, where a "temporary" corrugated iron wall has stood for almost 40 years. Here are some of the images developed by Fearon Hay in their entry to the competition:

Our congratulations to Jeff Fearon and Tim Hay and the team at Fearon H`y Architects.

The design competition was run through the NZ Institute of Architects. The winning entry from chosen from a shortlist comprised of Athfield Architects, Architectus, and RTA Studio in collaboration with Bossley Architects. Work is expected to start next year.