Outtakes

A lot of people are very interested in the house by Amanda Yates that features on our cover. The beauty of this blog is that it allows us the luxury of featuring extra images of it. Amanda's aim with the project was to reference early Maori earthern architecture, dwellings that were actually part of the land, and you can see here how the house on the Coromandel Pensinsula follows the contours of the land.

The way the home's interior slope meets the rock face outside is immaculately detailed, as you can see in this image (all the photographs are by Paul McCredie):

One of the great things about the house is the way the mood of the slope changes through the day under different lighting conditions.

Outside, the home's roofline also follows the slope. Upstairs is a self-contained studio used by Amanda and her partner when they visit her parents, who live there full-time.

Roy from SGA Architects requested a context shot in our layout that showed the home in its location. Here is one that shows a wider view of it on its site:

We're back

We end this long and embarrassing silence (blogging seems so easy to start with then suddenly, it becomes difficult to think of things to say ... then you're out of the habit) with an announcement of a recent innovation: from our December/January issue onwards, we are publishing special (and hopefully collectable) subscriber-only covers.

This is the newsstand cover for our next issue, a photograph by Paul McCredie of a house on the Coromandel Peninsula designed by Amanda Yates:

And this is our subscriber-only cover, another photograph by Paul of the same house.

You'll see that we have the luxury of being a little more pure with our subscriber cover. We are no longer subject to the tyranny of the barcode, and are under less pressure to include lots of coverlines to shout from the newsstand. Hopefully it's an object that will sit more serenely on your coffee table or beside the bed.

City Bach

More cleverness from our new issue: David Melling's City Bach, a tiny home in city-fringe Wellington with a big heart and, more importantly, a big barbecue area on the roof. Paul McCredie took the shots - you can check out plenty more of them when the mag hits newsstands on Monday June 1. And for those of you who are wondering, David Melling is the son of Gerald Melling of Wellington's Melling Morse Architects, who won our Home of the Year award last year. Architecture definitely runs in this family.

The new bach

Beach homes these days tend to present architects with a bit of a dilemma: clients want all the bells and whistles, but including them all leaves little chance of retaining any bach-like modesty of scale. Many a charming beach community in New Zealand has been monstered by the arrival of overly grand holiday homes. That's why we're so keen on the home on the Kapiti Coast on our April/May cover, designed by Max Herriot of Wellington's Herriot + Melhuish Architects.

The goal for owners and architect was to create a place that still felt like a bach, which meant the design process was all about identifying the essential qualities of the New Zealand holiday home, rather than transplanting a city home to the beach. The end result is a simple two-bedroom home with an open-plan living space under a monopitch roof. Here are a couple of Paul McCredie's shots of it:




Building this new holiday home involved knocking down an old one on the site, a difficult decision for the owners. The old bach was crumbling and was going to have to be relocated further back from the high tide line anyway; renovation options eventually became as expensive as building anew. The success of this project lies in the lessons that the owners absorbed from the old bach, which they had liked and stayed in for many years. The home shows that modest ambitions can create great results, for the owners of the home and the beach community as a whole.

Our new cover

We're off to the printers today to press-pass the cover for our April/May issue. It features a beautiful shot by Paul McCredie that was taken from inside a holiday home designed by Herriot + Melhuish on the Kapiti Coast. Choosing our covers is always a nerve-wracking process. We're hoping this one has a sufficient combination of warmth and architectural detail to seduce plenty of buyers. We've focused predominantly on renovations in the next issue, but the home on our cover is one of two brand-new dwellings in the magazine.

Designing from the inside out

The Arrowtown architect Max Wild, who designed a home that was a finalist in our Home of the Year award in 2007, has another home in our upcoming June issue that was commissioned by Sam Neill for the manager of his Two Paddocks vineyard in Earnscleugh, near Clyde. Here's one of Paul McCredie's photographs of it.


One of the interesting things about Max's architecture is that he strives not to create beautiful objects, but homes that are beautiful to live in. And while the home in the photograph above is not conventionally beautiful, it performs superbly in Earnscleugh's sizzling summers and deathly cold winters. Here's what Max had to say about it in our interview with him earlier today:

In a way [this house] is reverting to what I understood to be the early modernist ideal of a building being discovered by how it plays through the year, of environmental control as aesthetics. We've reached the point where a building’s aesthetic is what it looks like, but that seems less profound than how it makes you feel. When you come in the front door [of this house] it’s quite neat because often it’s such an improvement on the day outside. If it’s cold outside, inside it’s bright and warm. I’m not saying it’s a masterwork of architecture, but that’s the point of it – it’s hopefully a reasonably straightforward, pleasurable response.

You get a clearer idea of what Max is talking about when you see the home's light-filled interior, with its simple materials and generous spaces.

Max says magazines are partly guilty of propagating the idea that the form of a house - how it looks in the landscape - is of greater importance than how it performs or feels to live in. Point taken - we admit to being seduced by plenty of homes that fit this description in the past, and probably will continue to be - but we also believe the best architects are always conscious of the experience of being inside a building, and of the importance of comfort. Hopefully homes like this one by Max will get people thinking about assessing homes for more than just their visual appearance, and lead to a deeper consideration of what a home should be.