At the other end of the studio from the view above is the large window shown in the shots below, with its Mondrian-inspired pane of blue glass and a view out to the nikau palms John planted when he first purchased the villa about 20 years ago.
It looks like a big space in these photographs, but John has quickly filled it, and since begun panicking just a little about how to stop his habit for accumulating things from taking over what was briefly a rather pristine space. The views of the studio below show the polycarbonate wall that admits more light into the space.
And here's the artist, toiling in his studio. John says he does some of his best work in there at nights, when he relishes the convenience of being able to slip into the studio after dinner and not have to leave the family as he did when he would traipse back to his old studio in downtown Auckland. He's also excited about the possibilities a custom-built studio (and its large door, which can admit much more than the small canvases John has been working on recently) can open up for his art. "I think it will take years to full extract the value, to try things that I haven't because I haven't had the right kind of space," he says.
We'll feature more images from the studio series in upcoming posts. Not all of them will be architectural marvels like John's studio, but we don't mind that, as we're most interested in the way artists occupy and work in their spaces. Feel free to let us know which artist's spaces you'd like us to look into, and we can check them out. 