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The Roots in Otara



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The Roots, a new event in Auckland's Otara, was set up by architectural graduates Waikare Komene (below left) and Martin Leung-Wai (below right) to foster architectural engagment from Maori and Pacific Island high-school students. The students created architectural installations at Otara's Town Centre using traditional lashing techniques and thousands of recycled plastic bottles.

We speak to the duo in our current issue, but we couldn't fit in as many of photographer David Straight's great images as we wanted to, we decided to feature some extra shots here, along with the interview with Waikare and Martin. Congratulations to both of them for setting up such a successful event - we look forward to next year's version!



HOME Why did you set up The Roots?
WAIKARE KOMENE The Roots was established through our passion to encourage young Maori and Pacific Island students to gain insight into architecture and think about pursuing it as a career. We held our first event recently, and want to develop it into an annual regional event.

MARTIN LEUNG-WAI We had 8000 plastic bottles and 32 students in the Otara Town Centre, and got the students to build structures out of bottles using the traditional techniques of weaving and lashing. The Roots is all about how knowing your roots or identity can help inform your architecture or any creative arts. We wanted the event to create community interaction and for the students to experience the design process.


 Above: One of the Otara installations, built by teams of students using traditional lashing techniques and recycled plastic bottles.

What got you guys interested in architecture in the first place?
MARTIN LEUNG-WAI Seeing prominent architecture projects in magazines and books in the Manukau Library attracted me. I was inspired by the works of Renzo Piano, Antoni Gaudi and Frank Gehry when I was in high school. From there I aimed to study architecture and travel to visit the buildings I saw in books and magazines.

WAIKARE KOMENE I became interested in architecture at Otahuhu College; as a youngster I really enjoyed the practicality and hands-on experience taught in workshop technology and graphics. I've always enjoyed sketching, drawing, designing and building - these skills have been a talent of mine.



Architecture is more likely to be associated with central city areas and wealthy suburbs instead of Otara, where you work. How are you hoping to change that?
WAIKARE KOMENE Otara is not only the place where we work, but also where we grew up and continue to live today. Otara produces amazing talent: athletes, rugby and league stars, rappers, artists, bands, the mayor of Auckland and now, through us, architects and designers. Architecture allows people to relate to the environment we live in and also take a sense of ownership and pride.


You can read more about Martin and Waikare's work on Martin's blog here and their firm Creative Native's website here.
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Our new cover



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Our new cover is a photograph by Emily Andrews of the home of fashion designer Rebecca Taylor and her husband Wayne Pate in New York City. You can read Sam Eichblatt's in-depth interview with Rebecca Taylor about this confidently eclectic home (as well as see more of Emily's beautiful photographs) in our new issue, on newsstands Monday August 6th! We hope you like it. 





This issue's content features:

  • Karen Walker's new homeware line
  • Fantastic new guest quarters at Cloudy Bay, designed by Tim Greer and Paul Rolfe
  • A 1928 Arts & Crafts abode by James Chapman-Taylor, brought back to life by architect Andrew Bull and fashion designer Sandra Harden
  • A clifftop home by Malcolm Taylor on an "almost too perfect" Auckland site
  • Architect Marc Lithgow uses the footprint of an old brick garage for a compact, elegant new home in Auckland
  • An innovative Z-shaped house by Glamuzina Paterson Architects
  • A cleverly redesigned garden in New Plymouth by Michael Mansvelt of Plantation Design Studio
  • and terrific stories by writers Jolisa Gracewood, Simon Devitt, Caroll Bucknell, Sam Eichblatt and others...
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World Architecture Festival - the NZ finalists



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New Zealand architects have made a fantastically strong showing in the shortlist of nominees for awards at the World Architecture Festival.

First, with an impressive three nominations (and one shared one) are these projects from Fearon Hay Architects: The Brancott Estate Heritage Centre in Marlborough (below), shortlisted in the  'Display' category of the festival and featured in our December/January 2012 issue. The photo below is by Patrick Reynolds.
 

Fearon Hay's Imperial Lane project in Auckland (below), featured in our February/March issue, picked up a nomination in the festival's 'Old and New' category. Photo by Patrick Reynolds.


Jeff Fearon and Tim Hay are going to have a very busy time of it when they present shortlisted projects to the judges at the festival in Singapore in October: their Island Retreat (below), featured in our current issue, has been shortlisted in the 'Villa' category of the awards. 

And the firm was also nominated in the urban design category, along with Taylor Cullity Lethlean of Melbourne, for their excellent work at Auckland's North Wharf (below). Both photos by Patrick Reynolds.
   

In non-Fearon Hay nominations, Ken Crosson of Crosson Clarke Carnachan's Hut on Sleds at Whangapoua Beach (below), a finalist in our Home of the Year award 2012, is shortlisted in the festival's 'Villa' category. Photo by Jackie Meiring. 


Patterson Associates' Geyser building (below) on Auckland's Parnell Road is nominated in the festival's 'Office' category. 


As we mentioned earlier in the week, RTA Studio's C3 house (below, which is planned, but not yet built) has picked up a nomination in the 'Future Projects' section.


Also in 'Future Projects' a planned Waikato Whanau Ora centre (below) by Hamish Monk, Aaron Paterson and Dominic Glamuzina of The Flood.


All the finalists will travel to the World Architecture Festival in Singapore in October to give presentations about their work to a panel of judges. We wish them luck, and congratulate them on their success in getting this far. 

The full World Architecture Festival shortlist is here.
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