Preservation arguments are raging in Christchurch right now, which makes this very interesting clip from the documentary Hometown Boomtown from NZ On Screen all the more pertinent. It examines the major changes to Wellington's cityscape (many of them made in the name of earthquake strengthening) in the 1970s and 1980s, includes interviews with many of the major players of the time (including Bob Jones and then-mayor Sir Michael Fowler), and has heaps of amazing demolition footage. Worth a look!
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We like: Hometown Boomtown
Categories:
architectural heritage,
HOME New Zealand magazine,
Hometown Boomtown,
NZ On Screen,
preservation,
Sir Michael Fowler,
Wellington
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Posted by Admin
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We like: Diana Vreeland, The Eye Has to Travel
Categories:
Alexey Brodovitch,
Christmas shopping,
Diana Vreeland,
Harper's Bazaar,
HOME New Zealand magazine,
The Eye Has to Travel,
Vogue
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Posted by Admin
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Sometimes those late-night internet shopping binges don't carry any post-purchase regret: this morning our copy of Diana Vreeland: The Eye Has to Travel arrived in the post, and we've all been swooning ever since. Vreeland was fashion editor at Harper's Bazaar in its mid-century heyday (with editor Carmel Snow and art director Alexey Brodovitch, with an incredible roster of contributors including Richard Avedon and a host of other top-notch photographers) before moving to become editor in chief at Vogue. The layouts she worked on are still beautiful and inspirational. (The image on the cover was photographed at Frank Lloyd Wright's Taliesin West). The book is a perfect Christmas gift.
Wellington's Melling Morse Architects do an accomplished line in compact, relatively cheap, incredibly charming dwellings, and the Garden Shed, a finalist in our 2011 Home of the Year award, is no exception. It was given its name because its site is a garden sub-divided from a larger property, and because the home's owner wanted to feel as if she lived in the garden (rather than in a house that had monstered it).
This desire to keep as much of the property for gardening as possible partly explains the decision to position the house right up against the footpath of its street. (These photographs are by Paul McCredie).
While it presents a relatively closed face to the street, the 65-square-metre home's northerly elevation opens to the garden, with tall windows drawing sunlight into the double-height kitchen, dining and living space. The generous scale of the home's terrace adds an interesting note of grandeur to an otherwise highly efficient composition.
The home's main bedroom is downstairs and opens onto the terrace that overlooks the garden. Upstairs (shown in the image below) is a space containing a mezzanine study area and room for a spare bed if needed (the owner currently uses this area for doing yoga).
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