Prints work by Karen Walker

Fashion designer Karen Walker's latest move is into homeware, specifically a collaboration with the Australian department store Myer to produce a new range of homeware using popular prints. Here's our Q+A with Karen from our current issue, along with some extra images from her homeware range. A word of warning before you get too purchase-ready - while the towels are available in Karen Walker stores, the rest of the range is available only in Myer's Australian stores (and they don't sell online at the moment). 

Karen Walker

HOME You've already developed Karen Walker paint, jewellery and eyewear. Why homeware?

KAREN WALKER We've been interested in developing homeware for some time, and the opportunity came along to create a line in partnership with the right people [Australian department store Myer] at the right time. We've been working with Myer for years, and they approached us to bring our look into homeware.

The images on these mugs also feature in Karen Walker's jewellery collection

How did you choose which prints to use? 

After showing internationally for 20 seasons, we've built up quite an extensive archive of prints, which is where we looked first when creating graphics for bed linen, towels and so on. We made a selection of prints for each category and played around with color and sizing, then sampled what we liked and narrowed it down from there. There are many prints in our archive that we're constantly reworking and reissuing in different ways, whether it be fabric print, fine jewellery or eyewear. Much within our archive has become iconic for us and is reinvented again and again. Homeware gave us another area in which to explore this. We'll be creating new homeware ranges every six months, and they'll always have print and colour as their starting point.

 This range of beach towels will be available in Karen Walker's New Zealand boutiques from spring

When will New Zealand shoppers be able to get their hands on the goods?

The beach towels will be in Karen Walker stores here in spring. The rest of the range can be purchased at Myer's Australian stores from August.

The homeware range also includes these bed linens

Under threat: The Lomas house, Hamilton

Hamiltonians, contact your city councillors! TVNZ is reporting that a 1955 Hamilton home designed by Peter Middleton (that we featured in our October/November 2010 issue) is under threat of demolition.

Paul McCredie did a beautiful job of photographing the building for us (Linda Tyler wrote about the house). It's in a lush garden that the late Heather Lomas, the home's owner, spent decades creating. 

The home won an Enduring Architecture Award from the New Zealand Institute of Architects earlier this year. Middleton was commissioned to design the house by Heather Lomas and her husband Alan. Heather (below) lived in the house until her death in March. The house was later sold to a neighbour by members of Heather's family.

According to the TVNZ report, Waikato heritage consultant Ann McEwan "has called for the Lomas house on Lake Cres to be saved, and wants the Hamilton City Council to bend its district plan to save the 1950s building from demolition." You can read the TVNZ story here.   

It's a vexed issue, this. The new owner of the house is, legally, perfectly entitled to demolish it. The Lomas house, like many great modernist buildings, falls into an unprotected grey zone, where these structures are often not considered worthy of heritage protection until it's too late. 

Apart from the fact that we really like it, the Lomas house has genuine historical merit.  It is believed to be Hamilton's first architecturally designed house, and represented a brave early experiment in open-plan living. 

In its citation for the home's Enduring Architecture award, the NZ Institute of Architects said: 

The Lomas House is a fine building and also an inspiring architectural story. Designed for a young family in the 1950s, at a time when materials were rationed but optimism was far more plentiful, the house has gracefully kept pace with that family’s life for more than half a century. Frugal, but never mean with its spatial allocation, the house on its well-positioned site is cleverly and subtly arranged around the framework of a simple grid. Over the years, it has settled into a companionate relationship with the relaxed and unfussy garden. Inhabited beautifully, altered little, and maintained with care, the house is a case study in the lasting benefits of a sympathetic relationship between clients and Architect. 

Much of this inventiveness is evident in the home's careful planning, with level changes and sliding walls creating a greater sense of space in the living area.

In the TVNZ story, Ann McEwan suggests the Hamilton City Council should break its district plan rules to ensure the preservation of the house. The council says it hasn't received any demolition order for the building as yet. 

Outtakes: The Onemana Bach by SGA Architects and Unitec students

Our current issue features a short Q+A with architect Dave Strachan of SGA Architects, talking to him about his work with students at Unitec to design and build social housing in collaboration with Auckland's VisionWest.

This isn't the first time Dave and his students have worked together to build something remarkable - last year he and his team designed and built a thrifty bach at Onemana Beach on the Coromandel Peninsula that was a finalist in our 2012 Home of the Year award. (These photographs are by Simon Devitt).

Dave and his students at Auckland’s Unitec School of Architecture were assisted on this project by architect Marshall Cook and builder John Cocks. As a result, all of these students can claim they will leave university with real-world architectural experience: as well as collaborating on the design of the bach, they built it at the Unitec campus before it was trucked to its site on the Coromandel Peninsula.

This is a good point at which to add contdxt to Dave’s remark in our original article accompanying the Home of the Year issue. In it, we quoted Dave as making an unflattering remark about architects in general, but what he was really trying to say was that there is a perception that architects are regarded this way, and that the way students work with tradespeople in this exercise helps to close the gap between architects and the professionals they collaborate with. Our apologies to Dave for allowing this remark to run in the magazine in a way that made it seem like he was slagging off his own profession, when in reality he holds architects and architecture in the highest esteem. 

 

Above: Andrew Morrison relaxes on the deck in a cane-swing chair while Shiree and their daughters Rubie and Billie hang 

out in the kitchen. Morgan Cronin from Cronin Kitchens advised the students on building the cabinetry.

Above: The living room opens out to decks on both sides. Former Unitec student 
Tim Webber designed the table to match the Morrisons' Ikea chairs.

Part of Dave’s mission in leading this project at Unitec is to encourage productive working relationships and good communication between these students when they graduate and the tradespeople they will work with on future architectural projects. Building the bach was a vital part of this process. The students, Dave says, might say, “oh, we just want a nice flat floor to go through there – well that’s wonderful, but how the hell do you do that, to document it and then build it? That makes it a useful part of architectural education”.

Dave was a builder before he became an architect and has the deepest of respect for both professions, as well as a keen awareness of how poor detailing and communication can compromise a project. “Design is what [students] are taught to do,” Dave says. “It’s what most schools of architecture focus on. But a lot of design decisions are made during documentation – everyone thinks it’s the boring bit, but really it’s very much about trying to keep the integrity of the design idea you had at the start.”

Above: The ultimate in indoor/outdoor flow: a floor that continues almost seamlessly from the kitchen out to the deck. 
The deck chairs, covered by Shiree, are from Nest.

Above: A view of the dining area opening onto the second deck. In the background, the barbecue from 
The BBQ Factory echoes the strobe-like effect from the slatted roof.

Above: The barbecue deck is also the perfect place to relax in front of a little fire and watch the starry sky after sunset.

Above: Billie and Rubie playing in the living area with the windows panels drawn back to enjoy the sun. 
Below: Dave and some of the members of Studio 19, his student design team.