Christchurch graphic designer Matthew Arnold's favourite building is Peter Beaven's masterpiece, the Lyttelton Road Tunnel Administration Building, which dates from 1964. The photograph is by Stephen Goodenough.
Here's what Matthew had to say about his choice:
Matthew: "Peter Beaven designed this building in 1962 as part-monument, part-utility shed. The tunnel links Lyttelton Port to Christchurch city. It was a major engineering feat at the time and an important transport route. On its own the tunnel looks like a hole in a hill, but this architectural masterpiece at one end gives it much more clout. I like to imagine up top there’s a Starship Enterprise-style control bridge with large levers and dials that control things like the weather, petrol prices and Oprah’s weight. If we ever have to pack up modern New Zealand and leave it as we found it, we should just leave this building (and maybe Ian Athfield’s Wellington house) with a note saying, 'You’re under video surveillance', to ensure nobody tries to renovate."
We contacted Matthew to ask him to do this piece because we like Christchurch Modern, the blog he created after moving to Christchurch. It's a homage to that city's great modernist homes, and well worth a browse.
Architect Ian Athfield doesn't do many houses - these days, his time is mostly occupied with larger projects such as stadiums and apartment towers. But that doesn't mean he's lost his touch: here at Mapua, near Nelson, he has created a fascinating home for Halfdan Hansen and Juliette Fox and their two daughters. The house is featured in our current issue, but we wanted to share some of Simon Devitt's shots of it here that we couldn't fit in our article.
Halfdan told Ath, as he's known, that he wanted a long, villa-like corridor. Ath delivered a more dramatic version of it, with a low, dark ceiling and dark floor. It creates a great feeling of compression when you're in it, making the light-filled spaces off it seem even more compelling.
As you travel down the hallway, every new space comes as a complete surprise. You can see this fishpond (above) out a small window from the hallway. The view below is from Juliette's studio across the pond to the main bedroom. 
And this is the view of the house from the street (below), a mysterious object that almost demands to be explored. We hope the coverage of the house in our current issue is enough to satisfy the curious. We thank Juliette and Halfdan for their generosity in allowing us to publish the house, and applaud the creativity and inventiveness of their architect.
